April 02, 2012
by Mike Adams
The Hunger Games is a wildly popular new movie set in a dystopian future where an all-powerful, high-tech centralized government rules over “districts” of impoverished populations barely surviving in third-world conditions. The film, based on the book of the same name by Suzanne Collins, is important to understand becauseit depicts the very future that the global elite are trying to create. In fact, much of what is shown inThe Hunger Gameshas already begun (see below).
The film is set 74 years after a popular uprising that failed to overthrow a corrupt, centralized federal government. As punishment for the attempted uprising, the all-powerful government now requires each of 12 districts to “volunteer” a young girl and boy each year to participate in the Hunger Games — a bloodsport “breads and circuses” event that serves as the opiate of the masses to distract society from the fact that they are all slaves living under tyranny.
By VC | February 6th, 2012 |
When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.
A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:
“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”
It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.
READ REST OF ARTICLE HERE: http://vigilantcitizen.com/musicbusiness/madonnas-superbowl-halftime-show-a-celebration-of-the-grand-priestess-of-the-music-industry/
Also , check out this link for more info: http://worldtruth.tv/satanic-ritual-performed-at-the-nfl-half-time-show/
By VC | January 2nd, 2012 |
It’s a brand new year and this one promises to be particularly interesting. Here are the pics of this month featuring Willow Smith, Jessie J, The Oregon Ducks and a bunch of other strange yet very symbolic images.
It’s January and it is time for a new calendar. This year, why don’t you pic up this calendar by fashion photographer
Tejal Patni featuring soulless robotic models blankly staring nowhere and manipulated by machines? You’ll be reminded everyday about how the fashion industry
is riddled with MKULTRA
imagery. For example, who wouldn’t love to look at this tribute to mind control
, complete with a fake face and mechanical hands (representing handlers) during the entire month of October?
Miss September also appears to be under mind control. While she’s sitting on a chair that appears to have to capability to “program” (or torture her), her handlers (represented by hands) are hard at work.
The model, looking extremely robotic, holds a mechanical heart
– emphasizing on the dehumanizing effects of mind control (and of the fashion world).
The big budget “activist” movie called”Thrive: What On Earth Will It Take?” was launched on November 11, 2011 (11/11/11). This is not just a movie. It’s a movement!
The Thrive movie has big advertising. Big names. Big message. Big budget…and it has big “disinformation” mixed with truth.
Watch the trailer…and get sucked right in to yet another hijacking of the activist movement by the ruling crime families.
This is a hijacking!
During the last years, a new trend appeared in Hollywood: secret societies being at the center of movie intrigues. Some might find this surprising since secret societies are supposed to be…well…secret. Many people in the movie industry are part of those Brotherhoods so what is the reasoning behind this? We’ll look at the myth Hollywood is trying to create by examining “National Treasure” and “Angels and Demons”.
A decade ago, movies about Freemasonry or the Illuminati were rare and far apart (see here a nice list of Masonic references in movies). There has however been a major switch during the last decade. The world wide public has witnessed major blockbuster movies featuring those Brotherhoods at the center of the story. Their exoteric symbols are abundantly displayed and some of their history is even explained. Why are those societies exposing themselves to the average movie goers, who, for the most part aren’t even aware of their existence? Isn’t secrecy an important requisite for the survival of those orders?
I believe an important change is taking place in the communication strategies of these elite societies. The advent of the digital age, where any individual can create and publish content has rendered the secrecy of such organizations impossible. Self-published websites, books, documentaries, DVDs and other medias have exposed many secrets of Masonry and other orders. Information which could only be found in rare and exclusive books is now a Google search away. I have encountered some Masons who were astonished by the level of knowledge possessed by the ”profane”. Those types of Masonic scholars, who aren’t actually initiated into the Brotherhood, were very rare not too long ago.
Since the digital switch is irreversible (and completed), occult orders have adapted their strategy to this new context (they’ve probably saw this coming years ago). The strategy is : “If they have to know about us, we’ll tell them what to know“. Through Hollywood and best-selling books, secret societies are being introduced to the average Joe but with one BIG condition: the public is given a distorted, caricatured and romantic portrayal of secret societies. We are introducing in pop culture a mythical lore around secret societies, associating them with fascinating symbols, treasures hunts and exotic adventures. The viewers believe they are actually learning facts about Freemasonry or the Illuminati and they leave the movies with a sense of wonder, fascination and admiration. Those feelings are however based on totally erroneous facts, dubious explanations and fairy tale story telling. After viewing those movies, the viewer has a positive predisposition concerning those orders and will be less inclined to believe and research conspiracies related to them.
Read rest of article: http://vigilantcitizen.com/moviesandtv/how-hollywood-spreads-disinformation-about-secret-societies/